Reflecting on My Trip to Kenya!

During the month of May, I was privileged to participate in the Community-Based Global Learning program in Kenya through my university. I, along with fellow students and staff, traveled to the East African country for an exciting two weeks of experiential education and cultural immersion. The trip was facilitated by EDU Africa, an organization that provides "transformative learning journeys" in various countries throughout the continent. Our journey provided an array of opportunities for learning, as the EDU Africa team had numerous experiences in store for us. We engaged in activities that allowed us to build meaningful relationships and engage with the people and places that we visited. I wish that I could bottle up my experience and sell it to you, but for now we'll have to settle with this blog post. In the following paragraphs, I'll provide you with some of the highlights from this amazing trip.

Prior to our arrival, each member of our group was given service-learning placements with one of three local organizations in the town of Limuru. These incredible organizations were Limuru Children's Centre, Limuru Cheshire Home, and Plants for Life. I volunteered with Plants for Life, which works in reforestation and environmental conservation at the campus of Brackenhurst, an international conference and learning center. It was a pleasure to connect with such passionate individuals, who were able to teach me a lot about the local ecosystem and the amazing power of plants that have aided mankind for centuries. The area we worked in had tremendous biodiversity, with both indigenous and exotic species of plants. We assisted in gratifying and fulfilling work, such as the collection and planting of seeds, landscaping, and helping children at a nearby school create a butterfly garden. We also participated in a tree planting venture of over 500 trees in the Kereita forest, which provides a water catchment area to help the local community attain water. It felt special to know that the work I was engaging in would yield results long after I had left.

When we weren't at our service-learning sites, we were engaging in activities that taught us about the rich culture and history of the area we were visiting. One such experience was listening to speakers from the Lari Memorial Peace Museum. They spoke to us about the Mau Mau Uprising, which helped bring about Kenya’s independence from Britain in the mid-20^th century. Two of the speakers were involved in the conflict and were members of the opposing sides, one having been a Mau Mau Freedom Fighter and the other a British loyalist. They talked about the destruction that the war had caused and how it divided the people. Further, they discussed their efforts to bring peace and unity once the country gained its independence. In order to unite, they had to see the humanity in people that they had previously saw as enemies. It was important for them to honestly deal with the past and to start working together for a brighter future. Since, the Lari Memorial Peace Museum has sought to preserve this history and to keep future generations from repeating past mistakes. I found the account of peacemaking to be inspiring, and one that should be shared around the globe. Hearing such a powerful lesson made this one of the most impactful experiences from the trip.

During the trip, it was great to spend time in the town of Limuru and being able to gain a sense of what everyday life is like in the community. Through some of our activities, we had opportunities to interact with members of the community and learn more about Kenyan culture. We participated in a market challenge, where we divided into teams to see who could bargain for the best quality produce. We had a cooking lesson with host families, who showed us how to prepare proper Kenyan cuisine. We toured a local tea farm, where we learned about the history and production of Kenya’s largest export. We dined at The Lake House Tigoni, a beautiful estate that provided magnificent views of the area. The most special activity we engaged in was putting on a sports day for children at Limuru Children’s Centre. We organized stations of soccer, dance, coloring, and jewelry making for the children to participate in. It felt great to spend time with them for an afternoon of fun and laughter. Through time spent in the community, we were able to learn a lot and create some of our best memories.

Halfway through the trip, we departed Limuru and headed westward to the Maasai Mara. It was a long and beautiful journey that allowed us to see the countryside, including a view of the Great Rift Valley. In the Maasai Mara, we were spending a weekend on safari and learning about the Maasai tribe. We stayed at the Naboisho Camp in the Mara Naboisho Conservancy, where we were provided a luxurious experience throughout our stay. We were led by Maasai guides, who possessed a wealth of knowledge about the land and the animals that inhabited it. I was amazed by the vast open landscape, which provided a great view of the sky and hills in the distance. While on game drives, we were fortunate to see a variety of animals and learn about their lifestyles and behavior. It was surreal, being so close to lions, giraffes, wildebeest, hippos, and many other species. One of my favorite moments was seeing a hungry lioness hunting for her cubs. We didn’t see her succeed, but it reminded me of the strength that mothers of all species exhibit to care for their young. At times on the drives, we would step off to eat and admire the view. On our first night, we found a clear area and viewed the Moon, which looked brighter than I had ever seen it before. The safari was a thrilling experience and a wonderful opportunity to see nature in its purest form. Also, while in the Mara, we were fortunate to be received at a Maasai village. While there, we spent time in homes and learned about Maasai culture. The people there were very welcoming and taught us a lot about their way of life. On our last day in the Mara, we visited the Maa Trust. The Maa Trust is an organization that engages in projects to conserve the environment and assist families in the community. We met women producing Maa beadwork, which has helped provide an impactful source of income for women in the area. It was special to see how they were creating a better future for themselves by incorporating traditional elements from their culture. Our weekend in the Mara had a lot to offer and was definitely a highlight of the trip. It was a dream worthy excursion, that our group would talk about frequently for the rest of our time in Kenya.

On our last day in Kenya, we were reminded to recognize our trip as a real experience. It seemed incredible that we were able to build relationships, create memories, and learn so much in the short time that we were there. During our final group reflection session, we shared our biggest takeaways from the trip. The lesson I shared was about the power of cross-cultural communication. Through interacting with the people there, I was able to experience the impact of trading perspectives with someone that comes from a different part of the globe. When respectful and honest, these conversations can make everyone involved a more enlightened individual. I enjoyed my time in Kenya, and I am grateful to have had the opportunity to participate in the Community Based Global Learning program. This trip provided me with unique experiences and helped me further my education as a global citizen.

My Awakening

It seemed like any ordinary day in my middle school experience. I had taken the two-hour bus ride from home, with my sights set on finishing my seven-hour shift and returning back to my PlayStation. Little did that young twelve-year-old know, that the perception through which he viewed society and himself would on that day change forever. Up to that particular day in my life, I innocently viewed my world as a place where other’s perception of me was solely based on my character. I had heard of America’s dark past, but I naively believed that we had all overcome the ludicrous sentiments that were prevalent in the time of my grandparents and earlier generations. It was not until that morning period in sixth-grade language arts that I realized my appearance was subject to being associated with cruel and demeaning stereotypes.

My teacher was introducing the class to a new research assignment. It was a paper in which we were to study the neurological effects of any topic of choice. The example provided, which the teacher read aloud, was on a street drug known as “crack”. In one of the sentences of the example, the term “crack baby” was used. I then found out that one of my classmates said my name to a group of kids when that term was read by the teacher. As one of two Black students in the class, it was apparent that this remark was made about my race. Though long ago, I can still recall the painful sensation that took place when I heard those words. I felt isolated from the rest of my classmates, consumed by a combination of anger and sadness. This event marked a dramatic shift in my mindset.

From that day on, I never truly felt accepted into American society. It showed me that no matter how intelligent, successful, or well-mannered I thought myself to be, I could still encounter people that sought to confine my existence within their lines of distasteful preconceived generalizations. I was moved to discover how such generalizations could be made on something as trivial as skin color. I began to read books that elevated my consciousness of the Black American experience. It was comforting to see how others have encountered similar experiences to the one I had on that day in sixth grade. I became more aware of the atrocities that have affected Black Americans for centuries and I even viewed myself in a different light. With my life I was working to prove a more positive perception of Black Americans.

Though spawned from a negative experience, I consider my altered state of perception to have had a desirable impact. It motivated me to discover more about my identity as a Black American. It taught me that America’s dark history still seeps through the cracks into our current society. This altered state of perception was vital for my growth towards viewing the society in which I live through a more enlightened lens.

Syre Review!

On November 17th, Jaden Smith released his debut studio album, Syre. The album consists of seventeen tracks, with features from A$AP Rocky and Raury. The title of the album refers to his name, Jaden Christopher Syre Smith. If you're familiar with Jaden Smith, you know he operates on a higher frequency than most. His elevated thinking is clearly on display within this album. With this one, Smith gives us a tour of his mind. It's expressive, it's deep, and it's artful. I feel this album will really resonate with the youth. The transition between tracks is so smooth that it was hard for me to notice when the song changed. Pay attention to his lyricism too, he drops some gems. I'm deeply impressed with this project. He exhibits flow, emotion, and that Jaden Smith philosophy. When listening, you'll experience the free range of his mind. He knows no boundaries. My favorite tracks are "Falcon" and "Breakfast." Definitely give this one a listen. Thanks for reading.


    

Old School vs New School: The Importance of Balance

It is apparent that Hip-Hop has changed dramatically since its birth. Production techniques, subject matter, mainstream influence, and more are in constant shift as the culture grows. Due to this change, we see a divide that separates fans according to time periods. Today we see "old heads" that are quick to express disdain for the current generation of Hip-Hop. Likewise, we see a new wave of artists and fans that dismiss the old school as played out. There seems to be a polarization within the culture. If there's anything I've learned in my eighteen years on this Earth, it's that strength lies in unity. We would get more out of the culture if elders supported the youth, and if the youth respected the elders. I'm here to offer a neutral perspective, and promote the importance of balancing old school and new school within Hip-Hop.

Old school. The original. The blueprint. They've paved the road traveled on today. They've planted the seed for what is harvested today. What right does the new generation have to live off this hard work without paying due respect? "The kids today aren't talking about anything." "I'll just stick to 'real' Hip-Hop." It's a common argument coming from what we call "old heads", or fans devoted to the preservation of old school Hip-Hop. I can definitely understand this. You see the culture you celebrated from your days as a youth being transformed into unrecognizable form. It's not uncommon to reminisce and yearn for the "good 'ol days." However, resisting change can turn out to yield an unproductive result. In order for Hip-Hop to last, change is necessary. Don't get me wrong, I love old school Hip-Hop, but if the culture didn't evolve it wouldn't survive. Imagine if the U.S. still used World War II weaponry today simply because it worked in the past. It wouldn't stand a chance against those that put more effort towards advancing. It's fine to prefer a certain era, but be sure to remain a part of the culture. We still need the lessons of World War II weaponry, to build off of for future success. Value lies in the wisdom of the old school that is only beneficial if the culture is unified. I encourage the old heads to balance your listening, and find some new school artists that you can support. They're out there, you may just have to go beyond mainstream radio. Grow with the music, so that the culture you once loved can live on.

New school. The wave. The future. They keep it fresh. They carry the torch. Why should we focus on the past? "Music is more fun now." "That music is for old people." "I'm not wasting my time listening to that outdated music." It's a common position held by the younger generation of Hip-Hop. This could have been me if I wasn't exposed to old school at a young age. This is some of my peers. I can understand it. What's the point of listening to music that came out decades before you were born? It's fun to stay in the moment. However, you'll gain a clearer perspective of where you're going if you know where you came from. History provides a formula for success and a record of mistakes. As philosopher George Santayana stated, "those who do not learn history are doomed to repeat it." We know some negative events that have transpired within Hip-Hop's history, and by learning we lower the risk of making these events cyclical. Trust your elders. They've seen similar obstacles, and can provide guidance. Continue innovating, but make sure you're mindful of the rich history that precedes you. I encourage the new school to balance your listening, and find some old school artists that you can appreciate. They're out there if you do your research. A flower doesn't grow without roots.

Let's unify the culture, so that we may be able to move on stronger. The "fad" they once called Hip-Hop is still here forty years later. At what point do we realize that enough is done already to divide us? It's counterproductive to separate the culture based on time. Picture a relay race. Does the current runner reluctantly hand off the baton to the next runner? No, because it would only slow the team down. In order to be most efficient, the current runner has to confidently hand off the baton, knowing that the next runner will keep the team moving towards success. Likewise, the new runner wouldn't be able to run without the efforts of the previous runner. The role of smooth transition is key for the team's chances of success. In Hip-Hop, this smooth transition is done by understanding our teammates, or other generations. We have to balance our perspective, and learn to appreciate the other side. After all, we are connected.

NHYN Interview!

On November 12th, I had the chance to interview American born and Dubai based artist, NHYN. NHYN is an emerging artist with two solo projects, Pharaogamo and his latest, Dwaynism. His work incorporates a unique style, a transparency that allows listeners to feel the emotions that drives the music. In this interview, he gives us a detailed perspective on his life as an artist. We discuss his beginnings, his inspirations, and his visions for the future. Check out his latest work "Bounce It" and "Wait."

LAMON: I know you've mentioned this in earlier works, but for new listeners, what led you into becoming an artist?

NHYN: I would say dropping out of school. Prior to dropping out, I was making music everyday. In my room making beats, or if I was in class I'd be writing rhymes. I realized obviously I don't need to be here, maybe I need to go do something in music. So that's what led me to drop out and chase this dream. I actually had a conversation with my mentor before dropping out. I was like "yo, you think it would be a good idea to drop out of school?" (laughs). Everybody kept telling me it's a bad idea, saying I'm gonna fail, and giving me rates about the success of dropouts. I was like forget it, just going to try it out and take a risk. 

LAMON: Did moving to Dubai have any impact on your art?

NHYN: Definitely, my lifestyle has changed. I have new content to write about. It's different dealing with foreign women. Some just know you're black and from America. Driving crazy cars, or seeing crazy cars and mansions. It's like I got the lifestyle, before I got the actual money. I got used to having a driver, maids, and little small things like that. It definitely feels like I'm really rich (laughs). Living over here in Dubai gave me freedom to create without stressing. 

LAMON: Is it different looking at current events in the United States from an outside perspective?

NHYN: Yeah, people over here usually worry about their own problems. Whenever I hear something happening back in the United States, I'm just like "man, America is crazy." It's a lot going on over there, but over here there's like nothing going on. Sometimes it sounds like war is going on back home. It's different over here. They really appreciate our culture though. They listen to a lot of rap too. They mostly listen to older rap though. They haven't really caught on with the new wave of music. I feel like that's my job over here, to put them on some new music. 

LAMON: How big of a role does your team play in supporting you art?

NHYN: My team plays a pretty big role. Currently we're planning, and just trying to take it to the next level. 

LAMON: Are there any particular artists that inspire you?

NHYN: I listen to a lot of Andre 3000 and Kanye West. Of course, Kendrick Lamar. I hate listening to Kendrick Lamar, because I don't wanna sound like Kendrick but I love his music. A few of my friends also make some really dope music. My friend Lawrence, who I grew up with as a kid and we reconnected when I moved to Atlanta. Also my homie Millic who lives in Korea, and he's a really dope artist. 

LAMON: Artists do so many things nowadays, you can't really put a label on it. 

NHYN: It has to be that way. We have to do all the work. Even with business, we have to be the artists and the business owners. You have to learn to sell yourself, which is cool. It's a learning experience. I'm just glad I went to business school, even though I dropped out (laughs).

LAMON: Let's talk about the creative process. When crafting a song, do you already have a direction planned? Or is it more based on the vibe in the studio?

NHYN: Sometimes I have an idea of what I want to do before I go into the studio. When I turn on a beat, sometimes that idea can turn into something totally new. Basically, the vibe is everything. I can go in motivated to make one song, and then make another song that I end up liking more. Getting in front of the microphone, and putting on the headphones is where you really create the vibe. Also just hearing your voice. I can write a song back home, and then go into the studio and not like how it sounds at all. Hearing myself on the microphone really is what determines if I like a song or not. 

LAMON: Is there a release to be able to express yourself through art?

NHYN: Yeah, it's definitely a bit of release. A lot of frustration, but definitely release. Because once you express yourself, then you have to be bold enough to put out the music. It's like I made this song and I like it, but will they like it? You stress about that. A lot of times that's what takes me so long to put out music. I have to go through the psychological process, and be mentally ready to put it out. You have to have that mentality to put it out and say "let's see how it works." I actually had "Bounce It" for a whole year. I debated on whether I should put it out. You know what's crazy, I actually dropped "Bounce It" a month before I told anybody I put it out. I only did that to see the feedback I would get if no one knew about it. I got a lot of great feedback from it, and people were sending me messages saying they heard it. It got a good reaction, so I decided to really put it out there. 

LAMON: The thing about art is that it really gives you freedom for self-expression.

NHYN: You've gotta really go with your instincts. If I would've really went with my intuition, I probably would've let it go a long time ago. I'm learning that now, to really trust my instincts. I'm trying to push myself to get past myself. I wanna be able to release more music, and I want people to know what's going on in my life. 

LAMON: What's the meaning behind the name NHYN?

NHYN: NHYN (nine) represents the number for universal love. That's why the logo I created is a heart. It's a complex heart like a puzzle, because love is difficult. I felt like NHYN is a representation of what I'm trying to do in the industry. I'm trying to be that piece that brings everyone together. Whether it's helping a producer in the studio, or a homeless person on the street. I'm trying to be that vessel that can really relate to people, that they can say "he really cares about me and my well-being." Nine represents completeness, like being spiritually complete. That's how it feels, because I made the album Dwaynism which is talking about self-love and self-worth. I had to basically relocate to Dubai and go through that process of looking at who I am, and what I'm trying to do. NHYN represents me. 

LAMON: Are there any artists that you wish to work with?

NHYN: Andre 3000 for sure, Erykah Badu, definitely Kanye West, and Frank Ocean. These are artists that do a lot for me, I really like these people. Andre 3000 is the best rapper in my opinion, I feel like people forget about him until he drops a verse. When he drops a verse, it's a big deal. 

LAMON: As an emerging artist, how do you maintain humility as your publicity grows?

NHYN: I don't know if I'm humble at all. I'm just very introverted. I don't really think in terms of publicity growth, just individual growth. I'm not too pressed about fame, I don't really care about that. The bigger I go is just a bigger platform. I wouldn't say I'm humble, I wish I was humble. Behind closed doors I'm probably boastful. Then I'm just quiet, because I don't want to come off as boastful (laughs). 

LAMON: Are there any milestones that you plan to accomplish throughout your career?

NHYN: I want a Grammy, but only because I've been working on my speech for awhile. I've been preparing for like four years.

LAMON: Hopefully we hear it one day.

NHYN: It's definitely going to be a dope speech. I think I only get like thirty seconds anyway, so I'm trying to make the best thirty seconds ever. Kanye West has the best Grammy speech right now, so I'm trying to top him. 

LAMON: Do you have any advice for aspiring artists?

NHYN: Stay in school, don't chase your dreams (laughs). Nah, but I would say learn the business. That's the main thing if you're trying to get into music, learn the business. You might end up losing a lot of money, because no one is going to treat you better than you treat yourself. Always remember that you are a brand, and you have to treat it as such. It's a marathon, and not a quick race. If you're really into music for the long run, it's definitely a marathon. There's a lot of ups and downs, but they're all important for your journey. 

LAMON: I'm aware that you studied audio engineering, what role did that play on your development as an artist? 

NHYN: For starters, I know what quality sounds like. I know what to look for when I'm making a record, what sounds pleasing to the ear. Going to Los Angeles for audio engineering allowed me to meet other aspiring artists. It allowed me to network with them, and meet other people that wanted to help out. That's what led me to moving to Dubai. Studying audio engineering in LA really catapulted my career. 

LAMON: What impact do you plan to make with your career? 

NHYN: Spreading love and teaching people. I also want to add to the culture, I feel like I have a lot to bring. I've been through a lot in these 25 years, and I feel like I have wisdom. I'm not where I want to be yet, but I just have to be patient. You have to take risks for that big reward.  

Thanks for reading!